Philae (Greek: Φιλαί) or Pilak or P'aaleq (Egyptian: remote place or the end or the angle island) or Arabic: Anas el Wagud, is an island in the Nile River and the previous site of an Ancient Egyptian temple complex in southern Egypt. The complex is now located on the nearby island of Agilika.
Philae proper, although the smaller island, is, from the numerous and picturesque ruins formerly there, the more interesting of the two. Prior to the inundation, it was not more than 1250 English feet, or rather less than a quarter of a mile, long, and about 400 feet broad. It is composed of Syenite stone: its sides are steep and perhaps escarped by the hand of man, and on their summits was built a lofty wall encompassing the island.
For Philae, being accounted one of the burying-places of Osiris, was held in high reverence both by the Egyptians to the north and the Ethiopians (Aethopians in Greek) to the south, and it was deemed profane for any but priests to dwell therein, and was accordingly sequestered and denominated the unapproachable (̓́αβατος, Plut. Is. et Osir. p, 359; Diod. i. 22). It was reported too that neither birds flew over it nor fish approached its shores. (Senec. Quaest. Nat. iv. 2.) These indeed were the traditions of a remote period; since in the time of the Macedonian kings of Egypt, Philae was so much resorted to, partly by pilgrims to the tomb of Osiris, partly by persons on secular errands, that the priests petitioned Ptolemy Physcon (170-117 BC) to prohibit public functionaries at least from coming thither and living at their expense. The obelisk on which this petition was engraved was brought into England by Mr. Bankes, and its hieroglyphics, compared with those of the Rosetta stone, threw great light upon the Egyptian phonetic alphabet.
The islands of Philae were not, however, merely sacerdotal abodes; they were the centres of commerce also between Meroë and Memphis. For the rapids of the cataracts were at most seasons impracticable, and the commodities exchanged between Egypt and Ethiopia were reciprocally landed and re-embarked at Syene and Philae.
The neighbouring granite-quarries attracted hither also a numerous population of miners and stonemasons; and, for the convenience of this traffic, a gallery or road was formed in the rocks along the east bank of the Nile, portions of which are still extant.
The most conspicuous feature of both islands was their architectural wealth. Monuments of very various eras, extending from the Pharaohs to the Caesars, occupy nearly their whole area. The principal structures, however, lay at the south end of the smaller island.
The most ancient were the remains of a temple for Hathor built in the reign of Nectanebo I during 380-362 BCE, was approached from the river through a double colonnade. Nekhtnebef is his Homen and he became the founding pharaoh of the thirtieth and last dynasty of native rulers when he deposed and killed Nefaarud II. Hathor is named alternatively, Athor, and was associated with their goddess, Aphrodite, by the Greeks.
For the most part, the other ruins date from the Ptolemaic times, more especially with the reigns of Ptolemy Philadelphus, Ptolemy Epiphanes, and Ptolemy Philometor (282-145 BC), with many traces of Roman work in Philae dedicated to Ammon-Osiris.
In front of the propyla were two colossal lions in granite, behind which stood a pair of obelisks, each 44 feet high. The propyla were pyramidal in form and colossal in dimensions. One stood between the dromos and pronaos, another between the pronaos and the portico, while a smaller one led into the sekos or adytum. At each corner of the adyturn stood a monolithal shrine, the cage of a sacred hawk. Of these shrines one is now in the Louvre, the other in the Museum at Florence.
Beyond the entrance into the principal court are small temples or rather chapels, one of which, dedicated to Hathor (Athor), is covered with sculptures representing the birth of Ptolemy Philometor, under the figure of the god Horus. The story of Osiris is everywhere represented on the walls of this temple, and two of its inner chambers are particularly rich in symbolic imagery. Upon the two great propyla are Greek inscriptions intersected and partially destroyed by Egyptian figures cut across them.
The inscriptions belong to the Macedonian era, and are of earlier date than the sculptures, which were probably inserted during that interval of renaissance for the native religion which followed the extinction of the Greek dynasty in Egypt in 30 BC by the Romans.
The monuments in both islands indeed attested, beyond any others in the Nile-valley, the survival of pure Egyptian art centuries after the last of the Pharaohs had ceased to reign. Great pains have been taken to mutilate the sculptures of this temple. The work of demolition is attributable, in the first instance, to the zeal of the early Christians, and afterward, to the policy of the Iconoclasts, who curried favour for themselves with the Byzantine court by the destruction of heathen images as well as Christian ones.
The soil of Philae had been prepared carefully for the reception of its buildings–being levelled where it was uneven, and supported by masonry where it was crumbling or insecure. For example, the western wall of the Great Temple, and the corresponding wall of the dromos, were supported by very strong foundations, built below the pre-inundation level of the water, and rested on the granite which in this region forms the bed of the Nile. Here and there steps were hewn out from the wall to facilitate the communication between the temple and the river.
At the southern extremity of the dromos of the Great Temple was a smaller temple, apparently dedicated to Isis; at least the few columns that remained of it are surmounted with the head of that goddess. Its portico consisted of twelve columns, four in front and three deep. Their capitals represented various forms and combinations of the palm branch, the dhoum-leaf, and the lotus-flower. These, as well as the sculptures on the columns, the ceilings, and the walls were painted with the most vivid colors, which, owing to the dryness of the climate, have lost little of their original brilliance. (More on Wikipedia: http://en.wikipedia.org/wiki/Philae)
Philae proper, although the smaller island, is, from the numerous and picturesque ruins formerly there, the more interesting of the two. Prior to the inundation, it was not more than 1250 English feet, or rather less than a quarter of a mile, long, and about 400 feet broad. It is composed of Syenite stone: its sides are steep and perhaps escarped by the hand of man, and on their summits was built a lofty wall encompassing the island.
For Philae, being accounted one of the burying-places of Osiris, was held in high reverence both by the Egyptians to the north and the Ethiopians (Aethopians in Greek) to the south, and it was deemed profane for any but priests to dwell therein, and was accordingly sequestered and denominated the unapproachable (̓́αβατος, Plut. Is. et Osir. p, 359; Diod. i. 22). It was reported too that neither birds flew over it nor fish approached its shores. (Senec. Quaest. Nat. iv. 2.) These indeed were the traditions of a remote period; since in the time of the Macedonian kings of Egypt, Philae was so much resorted to, partly by pilgrims to the tomb of Osiris, partly by persons on secular errands, that the priests petitioned Ptolemy Physcon (170-117 BC) to prohibit public functionaries at least from coming thither and living at their expense. The obelisk on which this petition was engraved was brought into England by Mr. Bankes, and its hieroglyphics, compared with those of the Rosetta stone, threw great light upon the Egyptian phonetic alphabet.
The islands of Philae were not, however, merely sacerdotal abodes; they were the centres of commerce also between Meroë and Memphis. For the rapids of the cataracts were at most seasons impracticable, and the commodities exchanged between Egypt and Ethiopia were reciprocally landed and re-embarked at Syene and Philae.
The neighbouring granite-quarries attracted hither also a numerous population of miners and stonemasons; and, for the convenience of this traffic, a gallery or road was formed in the rocks along the east bank of the Nile, portions of which are still extant.
The most conspicuous feature of both islands was their architectural wealth. Monuments of very various eras, extending from the Pharaohs to the Caesars, occupy nearly their whole area. The principal structures, however, lay at the south end of the smaller island.
The most ancient were the remains of a temple for Hathor built in the reign of Nectanebo I during 380-362 BCE, was approached from the river through a double colonnade. Nekhtnebef is his Homen and he became the founding pharaoh of the thirtieth and last dynasty of native rulers when he deposed and killed Nefaarud II. Hathor is named alternatively, Athor, and was associated with their goddess, Aphrodite, by the Greeks.
For the most part, the other ruins date from the Ptolemaic times, more especially with the reigns of Ptolemy Philadelphus, Ptolemy Epiphanes, and Ptolemy Philometor (282-145 BC), with many traces of Roman work in Philae dedicated to Ammon-Osiris.
In front of the propyla were two colossal lions in granite, behind which stood a pair of obelisks, each 44 feet high. The propyla were pyramidal in form and colossal in dimensions. One stood between the dromos and pronaos, another between the pronaos and the portico, while a smaller one led into the sekos or adytum. At each corner of the adyturn stood a monolithal shrine, the cage of a sacred hawk. Of these shrines one is now in the Louvre, the other in the Museum at Florence.
Beyond the entrance into the principal court are small temples or rather chapels, one of which, dedicated to Hathor (Athor), is covered with sculptures representing the birth of Ptolemy Philometor, under the figure of the god Horus. The story of Osiris is everywhere represented on the walls of this temple, and two of its inner chambers are particularly rich in symbolic imagery. Upon the two great propyla are Greek inscriptions intersected and partially destroyed by Egyptian figures cut across them.
The inscriptions belong to the Macedonian era, and are of earlier date than the sculptures, which were probably inserted during that interval of renaissance for the native religion which followed the extinction of the Greek dynasty in Egypt in 30 BC by the Romans.
The monuments in both islands indeed attested, beyond any others in the Nile-valley, the survival of pure Egyptian art centuries after the last of the Pharaohs had ceased to reign. Great pains have been taken to mutilate the sculptures of this temple. The work of demolition is attributable, in the first instance, to the zeal of the early Christians, and afterward, to the policy of the Iconoclasts, who curried favour for themselves with the Byzantine court by the destruction of heathen images as well as Christian ones.
The soil of Philae had been prepared carefully for the reception of its buildings–being levelled where it was uneven, and supported by masonry where it was crumbling or insecure. For example, the western wall of the Great Temple, and the corresponding wall of the dromos, were supported by very strong foundations, built below the pre-inundation level of the water, and rested on the granite which in this region forms the bed of the Nile. Here and there steps were hewn out from the wall to facilitate the communication between the temple and the river.
At the southern extremity of the dromos of the Great Temple was a smaller temple, apparently dedicated to Isis; at least the few columns that remained of it are surmounted with the head of that goddess. Its portico consisted of twelve columns, four in front and three deep. Their capitals represented various forms and combinations of the palm branch, the dhoum-leaf, and the lotus-flower. These, as well as the sculptures on the columns, the ceilings, and the walls were painted with the most vivid colors, which, owing to the dryness of the climate, have lost little of their original brilliance. (More on Wikipedia: http://en.wikipedia.org/wiki/Philae)
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